Tuesday, January 25, 2011

Architecture

Location 1 Big

Location 2 Details

Location 3 Big

Location 3 Details

Location 3 Interior

Saturday, January 22, 2011

Timothy O'Sullivan

Timothy O'Sullivan was born in 1840 in New York City and died in Staten Island of tuberculosis at age 42 on January 14, 1882. As a teenager O'Sullivan was employed by Matthew Brady, but was commissioned into the Union army when the Civil War began. Joining with Alexander Gardner's studion he had his fourty-four civial photographs published in, Gardners photographic sketchbook of the war, which was the first civil war photograph collection. His most famous photograph is "Harvest of Death" and it depicts fallen soldiers in the Battle of Gettysburg. From 1867 to 1869 he was an official photographer for United States Geological Exploration of the Fortieth Parallel. He was to photograph the west to help attract settlers. O'Sullivan's landscape photographers were a new concept that involved taking pictures of untamedand un-industrialized land without the use of landscaping painting conventions. In 1870 he joined a team that surveyed the Panama canal. O'Sullivan spent the last years of his life living in Washington D.C working for the U.S Geological Survey and the Treasury Department.
Elements:
  • Line- made by the horizon
  • Value
  • Space- depth of the shot
  • Rule of Thirds- land houses in foreground sky and mountains in background

Chapter 9 Notes

Landscape Photography
Carleton E. Watkins
  • wanted to capture grandeur of the American west.

photo from here
Ansel Adams
  • capture the essence of the wilderness

photo from here
Timothy O'Sullivan
  • Photographed civil war
  • focused on documentary style landscapes

photo from here
When photographing landscape:
  •  Composition and viewpoint are two important factors to consider
    • good composition achieved with use of value and unity within a shot
  • smaller f-stops for a slower shutter speed
  • maximum depth of field
  • sunrise and sunset best times to shoot
    • lighting makes it an ideal time to shoot
  • Wide angle lens will allow one to get more in their shot.
  • Macro-lenses are good for getting abstract shots
The Grand Landscape
  • "big view" for landscape photography
  • use rule of thirds when placing line of horizon in the shot
    • sky can be overpowering in some cases and can be excluded from some shots.

photo from here
Landscape Details
  • smaller forms of landscape are less intimidating, but hard to get shots when in direct sunlight.
  • shooting in overcast weather is ideal to eliminate some light
    • this in turn helps to get rid of shadows
  • lighter values - longer exposure
  • darker values - shorter exposure

photo from here
Abstract Elements in Landscape
  • images that are composed of lines, shapes, values and textures.
  • use of patterns
  • use macro-lens to get close to subject
  • photograph only a small part of the subject to make it unfamiliar

photo from here


Thursday, January 13, 2011

Chapter 8 Notes

Architecture Photography
  • Architectural photographyare like indirect portrait of the people who live in the buildings being photographed.
  • Architectural photography can be a visual recording of a buildings appearance or a casual "sketch" of a place and the emotions connected to that place.
  • Pattern, is usually a part of every image in architectural photography.
    • it enriches and strengthens photos by adding visual complexity.
  • Small f-stops give photos a greater depth of field, slower film gives more detail and the bigger the negative space in a photo the more detail captured.
  • Contrast is the difference or range of values.
  • Differences in tonal values accentuate texture.
  • Film (color) emphasizes the color and setting and is more commonly used in commercial photography in architectural photography, while (black & white) emphasizes value, shapes and texture and is commonly used in artistic architectural photography.
Big View
  • Wide angle lens is go to use
  • most commercial architectural photographs rely on it, shows the whole building
Perspective distortion - appears as strong converging lines in a building, where the sides of the building angle in towards each other instead of looking parallel as they are in reality.

Detail Shot
  • Features the individual architectural elements of a buildings interior or exterior.
    • Becomes an indirect portrait of the craftspeople who made them.
Interior Views
  • Can be seen as concentrating in the presence of the people who live in and use these rooms.


photo from here
Pattern
Photo by Stefan Jannides
Interior

photo from here
Small Detail


photo from here
Big View
photo from here Contrast


Monday, January 10, 2011

Architecture In Class Notes

  • Architecture photos are indirect portraits.
  • Materials, style and scale provide clues to what people's lives were like
Architecture is good for photography because;
  • Building's history
  • Different angles and perspectives
  • Doesn't change
  • Only raw photographic materials needed to make it
  • Designs in architecture coinside with those of photographic elements and principles.
Frederic H. Evans
  • One of the greatest architectural photographers
  • Focused on catherdrals in London
  • Depicted emotions with the use of lighting
  • Primarily used platinum paper and when the paper became scarce because of WWII he gave up photographer forever, rather than change is artistic process.
Architecture uses a lot of pattern and repetition.
3 types of architecture shots
  • Big picture
  • Small detail
  • Interior
Ezra Stoller
  • Focused on using line, shape and form
  • Started out as an architect, but switched to photography
Patterns dominate almost all architectural photos.
Important to communicate the personality of the space and its relationship to its surroundings in architectural photography.

Thursday, January 6, 2011

American Photography Video Notes

  • Illustrated Daily News first publication to sell itself based on photographs.
  • Want a photograph on the first page that is big, loud, draws immediate appeal on the front page
  • Wants a picture that draws emotion to attract attention and get people to buy the newspaper.
  • Composograph- pose the photographs using staff and later pasting in the faces of the real stars. Used in the Evening Graphic.
  • In photography truth always loses out to fantasy.
  • Photograhps helps advertisers give appeal to their products, people think photgraphers are more believable than drawings.
  • Camera's give ordinary objects and make them seem extraordinary, helpful in advertising.
  • Advertisements are no longer read, they are seen, they revolve around a photographic means.
  • Photography added a new dimension to fame, created the new media celebrity (these people look good in pictures)
  • Twentieth century astronomy would be unthinkable without photography, would neutralize anything from the picture that one's imagination would create.
  • Photography has enabled our five senses to be broadened.